Contemporary Pop A Cappella
Grade: 9-12
Dates: January 9-10, 2025 (Registration Thursday mid-late morning, Concert Friday night)
Location: Paper Valley Hotel & Lawrence University (Appleton)
Coordinator: Dennis Gephart acappellaallstate@wischoral.org
Nominations & Auditions: Teachers can nominate up to 8 students. Teachers will rank students 1-8 with #1 as the top/highest ranked student. Students must also submit a recorded audition (see details below)
Cost: $275
Conductor: Rob Dietz
Rob Dietz is a multiple award-winning singer and vocal percussionist who has been arranging, composing, teaching, and performing contemporary a cappella music for over twenty years. Based in Los Angeles, Rob is best known for his work as an arranger and group coach for NBC’s The Sing-Off. Through his work as an arranger, Rob has had the pleasure of collaborating with some of the top talent in the vocal music world including Grammy award-winning groups Pentatonix and The Swingles, Voiceplay, Kings Return, and many more. He has been a contributing arranger for performances by world renowned artists including Smokey Robinson, Flo Rida, Sara Bareilles, Incubus, and Pat Benatar. His arrangements have been featured on several TV shows, including America’s Got Talent (NBC), To All The Boys: P.S I Still Love You (Netflix), and Pitch Slapped (Lifetime).
As a performer, Rob is an award-winning vocal percussionist, and his distinctive sound has been featured on shows including FOX's Glee and The Late Late Show with James Corden. Rob was the founding vocal percussionist for both The Funx and Level, groups that gave him the opportunity to work with legendary performers including Jay Leno and Demi Lovato.
Rob has a deep passion for a cappella education, and is a founding co-director (along with Ben Bram and Avi Kaplan) of A Cappella Academy. In addition to his work with Academy, Rob is also the director of Legacy: an auditioned, community youth a cappella group based in Los Angeles. Since the group’s inception, Legacy has performed twice at Carnegie Hall, and has won the Los Angeles A Cappella Festival’s Scholastic Competition, the Southwest semifinal round of the Varsity Vocals A Cappella Open, and the Finals of the International Championship of High School A Cappella at Lincoln Center.
Rob is a sought-after presenter and clinician who has led vocal music workshops at events such as the National A Cappella Convention and ACDA National. He has directed several honor choirs, including the inaugural Contemporary A Cappella Honor Ensembles at the Southwest ACDA regional conference, and the Pennsylvania Music Educators Association’s state-wide conference in 2024. He is the author of A Cappella 101: A Beginner’s Guide to Contemporary A Cappella Singing, published by Hal Leonard.
Alongside his work in contemporary a cappella music, Rob is an avid choral composer, with work published by Alfred Music Publishing, Hal Leonard, Heritage, and GIA Publications. In 2021 his piece “The Gift” received a jury commendation as part of the King’s Singers New Music Prize competition. His pieces continue to be performed by choirs from all over the world. Rob currently serves as the national repertoire and resources co-chair for Contemporary/Commercial music for the American Choral Directors Association (ACDA). BEFORE FILMING YOUR AUDITION VIDEO
Please put your video together in the order of the numbered list below.
FILMING YOUR AUDITION VIDEO
AFTER FILMING YOUR AUDITION VIDEO
Once complete, upload your audition video to YouTube.
USE THIS LINK
Dates: January 9-10, 2025 (Registration Thursday mid-late morning, Concert Friday night)
Location: Paper Valley Hotel & Lawrence University (Appleton)
Coordinator: Dennis Gephart acappellaallstate@wischoral.org
Nominations & Auditions: Teachers can nominate up to 8 students. Teachers will rank students 1-8 with #1 as the top/highest ranked student. Students must also submit a recorded audition (see details below)
Cost: $275
Conductor: Rob Dietz
Rob Dietz is a multiple award-winning singer and vocal percussionist who has been arranging, composing, teaching, and performing contemporary a cappella music for over twenty years. Based in Los Angeles, Rob is best known for his work as an arranger and group coach for NBC’s The Sing-Off. Through his work as an arranger, Rob has had the pleasure of collaborating with some of the top talent in the vocal music world including Grammy award-winning groups Pentatonix and The Swingles, Voiceplay, Kings Return, and many more. He has been a contributing arranger for performances by world renowned artists including Smokey Robinson, Flo Rida, Sara Bareilles, Incubus, and Pat Benatar. His arrangements have been featured on several TV shows, including America’s Got Talent (NBC), To All The Boys: P.S I Still Love You (Netflix), and Pitch Slapped (Lifetime).
As a performer, Rob is an award-winning vocal percussionist, and his distinctive sound has been featured on shows including FOX's Glee and The Late Late Show with James Corden. Rob was the founding vocal percussionist for both The Funx and Level, groups that gave him the opportunity to work with legendary performers including Jay Leno and Demi Lovato.
Rob has a deep passion for a cappella education, and is a founding co-director (along with Ben Bram and Avi Kaplan) of A Cappella Academy. In addition to his work with Academy, Rob is also the director of Legacy: an auditioned, community youth a cappella group based in Los Angeles. Since the group’s inception, Legacy has performed twice at Carnegie Hall, and has won the Los Angeles A Cappella Festival’s Scholastic Competition, the Southwest semifinal round of the Varsity Vocals A Cappella Open, and the Finals of the International Championship of High School A Cappella at Lincoln Center.
Rob is a sought-after presenter and clinician who has led vocal music workshops at events such as the National A Cappella Convention and ACDA National. He has directed several honor choirs, including the inaugural Contemporary A Cappella Honor Ensembles at the Southwest ACDA regional conference, and the Pennsylvania Music Educators Association’s state-wide conference in 2024. He is the author of A Cappella 101: A Beginner’s Guide to Contemporary A Cappella Singing, published by Hal Leonard.
Alongside his work in contemporary a cappella music, Rob is an avid choral composer, with work published by Alfred Music Publishing, Hal Leonard, Heritage, and GIA Publications. In 2021 his piece “The Gift” received a jury commendation as part of the King’s Singers New Music Prize competition. His pieces continue to be performed by choirs from all over the world. Rob currently serves as the national repertoire and resources co-chair for Contemporary/Commercial music for the American Choral Directors Association (ACDA).
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ONLINE AUDITION VIDEO INSTRUCTIONS
Please put your video together in the order of the numbered list below.
- Do an audio test beforehand to make sure your sound doesn’t distort. (To adjust microphone levels on a Mac, go into System Preferences > Sound > Input tab and lower the input volume.)
- Your video can either be in one complete take OR edited together. The audio must remain raw and untouched – no EQ, compression, reverb, or pitch correction of any kind. We want to hear you as you sound in the room.
FILMING YOUR AUDITION VIDEO
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Introduction
- Say hello! Tell us your name, age, pronouns, voice part, and where you’re from.
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Main skill
- If you are primarily a solo/part singer, sing two contrasting solos for us, unaccompanied. We want to hear your tone, phrasing, intonation, personality, and energy. Have fun with these and pick songs that are in your comfort zone, we want to see you at your best! Just a verse/chorus of each song is plenty. No musical theatre or classical, please.
- If you are primarily a beatboxer/vocal percussionist, please give us a demonstration (approx 1-2 mins), which can include anything and everything you’re comfortable with (straight-ahead beats, fills, various sounds, freestyle beatboxing, etc). ALSO, please include a segment where you do a simple beat at a comfortable tempo along with a metronome. No need to be flashy for this part, we just want to see that you can groove and keep a solid tempo.
- If you are primarily a bass singer, sing us a bass line using bass syllables (dm, doom, bm, ba, etc.) and also a bass vocal solo. The bass line can be something you just make up, or it can be an existing bass line. For the bass vocal solo, we just want to hear you sing a low range solo with lyrics. For both of these demonstrations, we’re looking for tone, pitch accuracy, and style. Note: if you are a bass with a higher solo register, you will also have the opportunity to show that to us as your secondary skill (see below).
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Part singing
- NOTE: This is the most important part of the audition!
- You can download the materials for both “Georgia On My Mind” and “I Wish” *CLICK HERE*
- Use the learning tracks and sheet music to learn whichever voice part suits you best on each song. (Beatboxers must sing for both examples.)
- Pay attention to the phrasing, dynamics, and inflections of the voices on the demo, and do your best to blend with them.
- Once you have each song learned, play the “performance” track for your part and sing along with it (your part will be missing from this track, you fill it in with your voice). When you record yourself doing this, we want to hear mostly you, but also the performance track in the background as well. You don’t need to have it memorized.
- For “I Wish,” please snap along.
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Scales
- Sing along with our scale guides *CLICK HERE* and stop singing once you can’t sing any higher or lower. Don’t be shy, just go for it, we know the extreme ranges aren’t always gonna be pretty! For scales going up, sing “eeee-aaahh” and use your chest/mix voice as high as you can, and then flip into head voice and continue. For scales going down, sing “yah yah yah yah yah”. If this is confusing, check out auditions from previous years on YouTube.
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Secondary skill (optional)
- If you are a solo/part singer and you also can sing bass and/or beatbox, show us what you got! If not, just skip this step.
- If you are a bass or beatboxer, please sing a solo for us as your secondary skill. (For basses, this should be more of a baritone-range solo.)
- Also, if you are a bass who can beatbox or a beatboxer who can sing bass, show us that as well!
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Misc. skills (optional)
- If you have any other special vocal skills, demonstrate them here. This can be literally anything you want! Scatting, singing in another language, original songs, multitrack video harmonizing with yourself, instrument imitation, throat singing, sound effects, vocal impersonations, etc! Instruments/tracks are okay for this section if it’ll help showcase one of your skills.
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Personal statement
- Briefly tell us why you’re interested in WCDA All-State, and what you think you would add to this project.
AFTER FILMING YOUR AUDITION VIDEO
Once complete, upload your audition video to YouTube.
- Be sure to set your video to “unlisted” or “public.” If you set it to “private” we will not be able to view it!
- In the caption, please include timestamps for the start of each new section.
USE THIS LINK